MASTER VIRAL-PORTRAIT RULE: Use the attached identity reference as the only facial source. Preserve the same recognisable woman — exact hairline, hairstyle and volume, brow shape, eye shape and spacing, nose structure, lips, jawline, cheek structure, skin tone, age, and natural facial proportions. Do not copy any specific person, outfit, pose, background, or composition from any trend reference; use only the underlying engagement principles — the face readable immediately at thumbnail size, one dominant colour idea, one memorable pose or hand gesture, attractive and wearable clothing, controlled sunglasses, watch, ring or jacket styling, simple backgrounds rather than clutter, strong contrast between subject and backdrop, either photographic realism or one clearly intentional transformation style, and a vertical portrait composition suitable for a profile picture, feed, story and prompt-card thumbnail. Avoid generic AI-beauty faces, plastic skin, oversized muscles, excessive jewellery, random luxury objects, awkward hands, meaningless backgrounds, complicated narratives, copied celebrity styling, copyrighted characters, and unreadable blocks of text. THE POSTERIZED WHITE-SUIT PORTRAIT. Create a sophisticated graphic illustration rather than a photograph. She wears an optic-white relaxed suit over a black crew-neck shirt, black sunglasses and a thin silver chain. The background is deep forest green with one pale cream geometric arch behind her shoulders. Illustration style: crisp editorial shapes, subtly painted facial volume, simplified clothing folds, and no heavy cartoon exaggeration. One hand sits in her trouser pocket while the other lightly holds the sunglasses at the bridge, the grip natural and light. Expression: contained smile. Hook: a premium profile-picture aesthetic that still strongly preserves identity. A deliberate, fully committed illustration — not a photograph and not a 3D render — with clean intentional rendering, controlled edges, and sophisticated poster-level colour. Her exact facial features, hair volume and proportions are preserved through the stylisation so she is unmistakably herself and never a generic character. Groomed and magnetic: clean styled hair with natural movement, wardrobe styled with intent. Vertical 4:5 portrait for an Instagram post, composed to extend safely to 4:5 and crop cleanly to a square profile picture, the hook readable even at thumbnail size. No readable text anywhere — no words, no logos, no brands.

FACE MATCH FIRST: the exact man in the attached photo – same hairline, brows, eye shape and spacing, nose, lips, jaw, skin tone, same facial hair as the reference. Never beautify or reshape the face. STYLE: a two-part keepsake stacked vertically. TOP HALF: a clean real photograph. BOTTOM HALF: the same moment redrawn as a small, simple, cute illustration – flat soft colour, minimal line, generous cream paper around it, a caption in fine handwritten script beneath. The two halves sit edge to edge with no border between them. Both halves show the same moment: him standing on a garden path under a flowering tree in a white kurta, hands easy at his sides. In the illustrated half he is simplified but still clearly the same person. Vertical 3:4. The face is drawn to the reference’s exact proportions – same hairline, brow shape, eye size and spacing, nose, lips and jaw – recognisable at a glance, eyes their real size and never enlarged, never a generic stylised face. High resolution, clean edges, no artefacts, no extra limbs or duplicated features. One text only: Sunday Morning, spelled exactly S, u, n, d, a, y, space, M, o, r, n, i, n, g, clear of every face and touching nothing. No other lettering. CHECK: the face must match the reference exactly.

Unmistakably the same woman from the attached reference photo — carry her exact features across without altering them: the same hairline, the same hair texture and natural fall, the same brow shape and set, the same eye shape and spacing, the same nose line and bridge, the same lip shape, the same jawline and cheekbone structure, and the same skin tone. The reference photo’s own lighting, background and clothing are entirely discarded and replaced by everything described here. THE FORMAT: the STAIRWELL FLEX — a hotel stair landing with a curved brass rail and deep-green painted wall, one warm pendant globe above, marble steps falling away soft below. THE DRESSING SYSTEM, collegiate-street layering: a cream varsity jacket with forest-green rib collar and cuffs (chest completely blank) worn over an ash-grey hoodie with the hood OUT, black tapered trousers, cream suede sneakers incidental; rose-tinted small lenses ON with the eyes readable, a silver curb chain over the hoodie, a steel watch on the rail hand. THE POSE: side-leaning into the brass rail — forearm along it, ankles crossed, the free hand’s fingers loosely at the varsity’s front edge holding it a touch open to show the layer beneath — the between-floors portrait. One committed expression — rose-tinted ease: a slow half-smile at the lens, chin slightly tipped. Light: the warm pendant above keys her face with soft honest downward shadows, the brass rail streaking warm reflections along her forearm, the green wall holding rich depth behind. Colour story: deep green, cream varsity, brass. Camera: eye level, 50mm feel, mid-thigh up on the landing. Grooming committed: thick hair styled with big natural volume and real movement, individual curls and strands readable. Her head sized naturally against her shoulders — head and body in true natural proportion, exactly as a real camera would capture her. A true photograph, not an illustration or 3D render, carrying a subtle fine film grain and small natural imperfections, true skin texture with visible pores. Vertical 4:5 frame. No readable text on any garment or surface — no words, no logos, no brands anywhere.

The subject is the man in the attached reference photo. Recreate his exact facial identity from its features – the same hairline, hairstyle, volume and texture, brow shape, eye shape and spacing, nose structure, lip shape, jawline and cheek structure, beard pattern and density, skin tone, and natural facial proportions – so he is unmistakably the same person, his features kept handsome and their true shape unchanged, his own hair from the reference kept exactly as it is. The reference photo’s own lighting, background and clothing are entirely discarded; his face is lit only by this scene’s own light. BONNET AT GOLDEN HOUR. A vintage cream car parked on a quiet avenue, its wheels planted and its handbrake set, the chrome bumper and round headlamps catching the low sun. He leans back against the bonnet in a rust suede jacket over a white tee and dark jeans, ankles crossed, a steel watch. His right hand rests on the bonnet’s warm edge with five separate countable fingers, his left hand holds a pair of dark sunglasses folded at his chest with fingers countable so his eyes stay fully visible. The single hook: ownership at rest. Low golden sun from in front of him, behind the camera, keys his face fully and fills both eyes with a clear catchlight, the chrome throwing warm speculars, while the car and the avenue stay dimmer than his lit skin. He has just been asked if the car is his: eyes to the lens amused, one brow a fraction up, mouth in a closed half-smile. Camera: 50mm lens at f/2.8, knee-up. Palette: cream car, chrome, rust suede, golden hour. AURA REGISTER: the world moves and he does not – haze, wind, cloth, light and crowd all react while he stays composed, the confidence carried in stillness, posture and eyeline, stylish and premium in every detail, never labouring, never mugging, marked by nothing. The expression is natural and human: the eyes and mouth agreeing on one held feeling, natural micro-asymmetry kept, never exaggerated, never a posed grin. Every other person in the frame, if any, is a different anonymous individual kept soft, out of focus and unrecognisable, none resembling the subject, and the subject’s is the only sharp face in the image. A true photograph, not an illustration or 3D render: fine film grain, true skin texture with visible pores, individual hair strands, realistic eye moisture with correct catchlights, real fabric weave with natural folds, accurate hands with natural fingernails and countable fingers wherever visible, physically believable shadows, honest scene clutter, and the head sized naturally against the shoulders. One committed colour grade owns the frame. Vertical 4:5 frame built for Instagram: the face largest, sharpest and best-lit, the aura readable in one second at phone size. No readable text anywhere – no words, no letters, no numbers, no logos, no brands.